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Not long after that first one, bassist Scott Derr’s Blackjack Records put out a second, “Soledad / Striking a Match in the Year 4007”. That’s when I knew these guys were for real, in a recording sense (live it was already a no-brainer) and had a pretty deep bench of material to pull from. This is when they were still a trio, mind you (I think some of the blood got sucked when they added sax & keyboards), and at the point where they were realizing how much noise and panic they could wring out of three guys and a batch of distortion boxes.
It’s been said before, but singer/drummer Rubin Fiberglass was absolutely born to rock. I can totally see him at the start of “Striking a Match...” - where they do a couple of piss-takes before getting into the song - with his sunglasses donned even at 11pm, lubricating his vocal cords with god-knows-what, and getting’ his Iggy on before switching over to “the voice” that he used so fetchingly on all their material. In fact “Soledad” is a pretty great study in vocals, when you pay close attention to it. All three fellas get their god-given turn at the mic, with Fiberglass leading things in the chorus and main verses. The whole stream-of-consciousness bizarro-world lyrics & vocals from guitarist Grady Runyan during the “break” were not only the inspiration for this post’s title, but also for the title of the band’s posthumous collection “Runnin’ Backwards From The Ape-Like Superman”.
These recordings came straight from my 45, and not from that collection, which has slightly cleaned-up version of all their 45s. Please do your best to secure both, and keep supporting goodtime rocknroll music.
Play Monoshock, “Soledad”
Download MONOSHOCK – “Soledad” (A-side)
Download MONOSHOCK – “Striking a Match in the Year 4007” (B-side)
1 comment:
can't make blog loud enough... thanks Jay!
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